Uptown Pop Ranking

ImageIt’s taken me almost a week to semi-absorb the events of the EMP/IASPM Pop Conference held at NYU last weekend. I spoke early on Friday morning alongside Rustem Ertug Altinay, who talked about Güngör Bayrak and the fascinating world of Turkish Gazinos, and Mark Lomanno, who presented on jazz from the Carnary Islands. There were a number of interesting connections to be made between my paper on listening to Addis Ababa and their papers, which dealt with listening to other spaces/places. Note: I was lucky enough to have my paper live-tweeted by Ned Raggett (thanks so much Ned!!) You can check it out here.

After the panel, I was interviewed by Michael Rancic for Canada Arts Connect. It was interesting to talk about Canada in New York, and especially at the Pop Conference, where I’ve only heard a few papers about Canadian music over the years I’ve taken part. Del Cowie, incidentally, gave a great paper on Toronto hip hop before (and after) Drake. Rancic asked about whether or not an event like the Pop Con could (or should) happen in Canada. Of course, I’d welcome such a thing–and I do think that Canada has a huge amount to bring to the conversation about popular music.

Over the course of the weekend, Canada’s famous (or infamous–depending on how you look at it) CanCon rules were mentioned a shockingly large number of times. Yes, some of those times were by Canadians, but one very memorable mention was by Chuck D, on a panel about the music component of the Smithsonian’s African American History Museum, due to open in 2015. Arguing that the desire for national success–and the fact that media conglomeration has meant that national success seems the only viable option–has destroyed local scenes. Chuck D mentioned, with an air of what could only be called incredulity, that Canada insists on %35 Canadian Content on radio. I was sitting beside my Canadian colleague, who also gave an excellent paper on sound and space, Jeremy Morris, and we looked at each other, perhaps equally incredulous at this mention. The point was that CanCon regulations tip the deck towards the local, and therefore help out burgeoning acts/scenes. I think he has a point.

I also took part in a panel alongside such luminaries as Chief Boima, Wayne Marshall, Venus X, Eddie Stats and Dj Rekha. The topic was “Tropical Music, Appropriation and Music ‘Discovery’ in the Global Metropolis”, and the discussion ranged from Shakira to Santigold to Diplo to daggering. Venus revealed that she had written a series of newsletters for Shakira, apprising the singer’s people of the latest, most interesting developments in music. Apparently (and unfortunately), this information hasn’t really seemed to influence Shakira’s work. Venus, however, made the useful point that artists are indebted to their record labels and have to produce “new” and “exciting” music. They are so desperate to find something cool that they wouldn’t want to share their sources (a.k.a. give credit) to others or to the press. I was pretty flattered to be on the panel and felt that the conversation was wide-ranging (I learned about bubbling) and, I think, reasonably helpful in terms of thinking through issues of appropriation. As for me, the room was packed, and I can say quite honesty that I have never spoken in front of so many people in my life. I was nervous as all get out, but I think I managed to make at least one reasonable point, that being that listeners and journalists need to take some responsibility for telling the tales behind the tunes.

Other highlights of the weekend included the excellent ClusterMag-curated panel. Julianne Escobedo Shepherd’s paper on “The Ha” and vogue house was fantastic–thoroughly informative, insightful and entertaining. It was also great to finally meet her live and in person. Wayne Marshall’s paper dealt with the ever evolving ways in which youth share dance, music and more online, and the tag team of Max Pearl and Alexis Stephens took a look at the hype cycle and the speed of culture online.

I also enjoyed discussions about the music of revolution in Cairo, rebetika in Greece, Whitney Houston, record collecting, and so much more. However, the best bits were some of the conversations in between and around the panels. Great dinner conversation, great opportunity to meet new people, and, wonderfully, great weather.

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